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纸糊庙

这是继BONELESS北京店完工后，在其旁边搭建的POP-UP装置。考虑到快闪店的临时性，我们采用了易于安装搭建、环保、可回收的废弃打印纸筒作为基本构件。由于其构造属性与传统木构在很多方面类似，我们利用不同尺寸规格的纸筒，以传统大木作的建构逻辑在商场公共空间搭建了一个独立的构筑物，一个house in HOUSE。而传统大木作这一建构逻辑在形式上也带给了我们意料之外的形式表现——一个有着寺庙式的纪念性的小“寺庙”。

This is a POP-UP installation built adjacent to the completed BONELESS Beijing store. Considering the temporary nature of a pop-up shop, we utilized easily installable, environmentally friendly, and recyclable discarded printing paper rolls as basic components. Due to their structural similarities to traditional wooden structures, we used paper rolls of different sizes to construct an independent structure in the mall's public space, employing the construction logic of traditional large wooden structures—creating a house in HOUSE. Unexpectedly, this traditional construction logic also brought about an unexpected formal expression—a small "temple" with a temple-like memorial quality.

同时，纸筒在我们的设计中也不仅仅以梁—柱的方式存在，小规格截面直筒的组合也以面的形式出现——顶与墙。此外，纸筒的圆形截面作为一种重复的PATTERN也构成了一些可阅读为“面”的小构造——收银台、LOGO “B“以及混合宣纸的背景墙。总之，在这样一个实验性项目中，我们探索了将纸筒作为构筑构件时表现出的线与面的特性，并基于材料本身建构了一个富有纪念性的空间。

Additionally, in our design, the paper rolls not only exist as beams and columns but also appear in the form of surfaces through the combination of small-diameter straight tubes—forming ceilings and walls. Furthermore, the circular cross-section of the paper rolls, as a repeated pattern, constitutes some smaller structures that can be interpreted as "surfaces"—such as the cash register, the logo "B," and the background wall composed of mixed rice paper. In summary, in this experimental project, we explored the characteristics of lines and surfaces exhibited when using paper rolls as building components, and based on the material itself, constructed a space rich in commemorative qualities.